Sarasota Estate Auction
Live Auction

Fine Art, Asian, & Antiques - January Day 2

Sun, Jan 25, 2026 11:00AM EST
  2026-01-25 11:00:00 2026-01-25 11:00:00 America/New_York Sarasota Estate Auction Sarasota Estate Auction : Fine Art, Asian, & Antiques - January Day 2 https://bid.sarasotaestateauction.com/auctions/sarasota-estate/fine-art-asian-antiques---january-day-2-20121
Over 1,000 lots will be offered in day 2 of our 2 day auction weekend! There are multiple lots of important fine art from landscapes and etchings to old masters and portraits. We have Important Meiji Period Japanese Imperial Gilded Fabric Screens, a Fantastic Collection of Gilt Sevres Porcelain Urns, an Early 18th Century Chinese Carved Monk, Rare Books, a Large Collection of Asian Artworks and Sculptures, Russian Icons, Oriental Rugs, Old Master Paintings, and more!
Sarasota Estate Auction sarasotaestateauction@gmail.com
Lot 1781

Anthony Cardon (1772-1813) Flemish, Lithograph "Do You Want Any Matches?"

Estimate: $40 - $60
Starting Bid
$20

Bid Increments

Price Bid Increment
$0 $10
$100 $25
$250 $50
$1,000 $100
$2,500 $250
$7,500 $500
$20,000 $1,000
$50,000 $2,500
$100,000 $5,000
$250,000 $10,000

Anthony Cardon (1772-1813) Flemish, Lithograph Print "Do You Want Any Matches?" Plate No. 4 of the Cries of London series. Titled along bottom. Framed.

Overall Size: 14 1/2 x 18 1/2 in.
Sight Size: 12 1/2 x 16 in.

 

Anthony Cardon (1772–1813) was a Flemish-born engraver who made his career in England and became one of the foremost practitioners of stipple engraving and printmaking in his era. Born in Brussels, he came to London in the early 1790s, studied at the Royal Academy Schools, and worked in collaboration with the prominent print publisher and gallery dealer Colnaghi & Co.. Cardon produced a large body of work including book illustrations, historical engravings, and portraits — among them engravings after major artists and likenesses of contemporary figures such as monarchs and political leaders. He was especially known for his skill in rendering subtle tones and textures through stippling and aquatint, which gave his prints a refined delicacy. His work was widely published, exhibited, and collected, and remains represented in major institutions such as the National Portrait Gallery, London and other museum print collections.

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14 1/2 x 18 1/2 in.